The Origins of Tone: An Abridged History of the Piano Sound
I remember the specific day that it struck home to me how personal and personalized musical instruments have always been. The year was 2016, and I was visiting Germany on an internship through my university. Surrounded by about 70 different kinds of horn instruments, I pondered how ordinary people who also tilled fields, hunted for sustenance, or engaged in early trades, also built musical instruments that fit their lifestyles and their music. A carpenter might make early harps or violins, a farmer carve reed pipes or hollow out rams horns, a blacksmith might also make bells or drums. In archeological sites across the whole world we find musical instruments made of the most readily available materials, whether of reed or bone, brass or wood(1). The whole of human history has truly been full of music.
The piano is a relatively modern invention (around the year 1700) and as an instrument too large to be strictly portable, and too demanding in its construction to be easily accessible by those of ordinary means, was more a toy of the elite than a means of expression for the masses. However, even at that early point in time, keyed instruments were already becoming more widely accessible in the form of the clavichord (2).
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